English | Nov 30, 2000 | ISBN: 0195124472 | 288 Pages | PDF | 18,2 MB
This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.
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