This investigation of one of the greatest yet least understood
repertories of Western keyboard music reveals the reasons why the 555
keyboard sonatas of Domenico Scarlatti have not been written about more
often. The lack of documentary evidence and the composer's position
between the so-called Baroque and the Classical periods are crucial
factors. W. Dean Sutcliffe also examines each individual sonata in
unprecedented detail.
PDF 4 MB 414 pages
Available upon email request only
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Available upon email request only
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