Music Education and the Art of Performance in the German Baroque - J.Butt - 2003

In considering the role of practical music in education this book explores the art of performance in Germany during the Baroque period. The author examines the large number of surviving treatises and instruction manuals used in the Lutheran schools during the period 1530-1800 and builds up a picture of the function and status of music in both school and church. This understanding of music as a functional art-- musica practica--in turn gives us insight into contemporary performance of the sacred work of Praetorius, Schutz, Buxtehude or Bach.

John Christian Bach - Mozart's Friend and Mentor - H.Gartner - 2003

The youngest surviving son of Johann Sebastian Bach, John Christian (born Johann, he adopted the English form of his name in maturity) represents a unique link between the baroque and classical worlds. His early musical training was with his father but his own musical preferences led him to Italy and study with Padre Martini. He abandoned the Lutheranism of his youth, becoming a Roman Catholic and composing much sacred music as organist of Milan Cathedral. He became Mozart's friend and mentor, having met him when the child prodigy visited London in 1764. During his lifetime he was the most successful of the musical Bachs, although he died deeply in debt, and until quite recent years his music has been largely ignored. This impeccably researched biography of the man and his times is evidence that his true stature is now being recognized.

Bach's Changing World Voices in the Community - C.K.Baron - 2008

The Leipzig middle-class evolved with the cooperation and gratitude of an extravagant, greedy, and disinterested absolutist ruler. Bach's Changing World documents how this community and other German communities responded to a variety of religious, social, and political demands that emerged during the years of the composer's lifetime. An accepted, admired, and trusted member of this community, as evidenced by the commissions he received for secular celebrations from royalty and members of the middle-class alike -- in addition to functioning as church composer -- Bach shared its values.BR> Contributors: Carol K. Baron, Susan H. Gillespie, Katherine Goodman, Joyce L. Irwin, Tanya Kevorkian, Ulrich Siegele, John Van Cleve, and Ruben Weltsch. Carol K. Baron is Fellow for Life in the Department of Music at Stony Brook University, where she was co-founder and administrator of the Bach Aria Festival and Institute. 

Глен Гульд. Избранное. Книга I и II - 2006