The work of composer Manuel de Falla (1876-1946) ranges from
late-romantic salon pieces to evocations of flamenco to stark
neoclassicism. Yet
his work has
met with a variety of reactions, depending on the audience. In his
native Spain, he is considered a leader in the avant-garde and the
greatest composer in the Spanish cultural renaissance that extended from
the latter part of the nineteenth century until the outbreak of the
Spanish Civil War
in 1936. In the United States his music was imported as part of the
"Latin" music craze of the 1930s and 40s and arranged by pop artists and
used in MGM musicals. Similarly enigmatic are the details of Falla's
life. He never sustained a lasting, intimate relationship with a woman,
yet he created compelling female roles for the lyric stage. Although he
became incensed when publishers altered his music, he more than once
tinkered with Chopin and Debussy. Despite insisting that he was
apolitical, he ultimately took sides in the Spanish Civil War. All his
life, his rigorous brand of Roman Catholicism brought him both solace
and agony in his quest for spiritual and artistic perfection.
Oxford University Press 2008 PDF | 368 pages | 2.78 MB
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